Category Archives: new york city

Crossing the East River

When Edison recorded this, the Brooklyn Bridge was sixteen years old. Look at it, all surly and rebellious.

Even in 1899, the bridge’s best views clearly belong to the pedestrian walkway.

The train pulls into Park Row station, which stood until 1944 servicing a half dozen elevated BMT lines. It’s on the right in the 1911 photo below; City Hall is on the left. In the background the beautiful Manhattan Municipal Building is under construction, preparing to house a city government growing rapidly after the boroughs’ 1889 consolidation.

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This Joyful Summer

Our overachieving city isn’t content to provide us with great art and music. No, she has to show off and give most of it away for free. If you’re looking for concerts that won’t cost a dime, these are your best bets:

Yeasayer on Govenor’s Island, Saturday June 5
When a sharp, bright, brilliantly fun band like Yeasayer plays the most gorgeous open secret in New York, you simply must attend. Even the ferry’s free!

The Roots & Talib Kweli at Prospect Park, Sunday July 11
Remember before Common and Mos Def were movie stars, when “conscious” rappers provided the soundtrack to your childhood? Two of the era’s best acts are coming to Brooklyn to celebrate the first African World Cup.

Siren Music Festival at Coney Island, Saturday July 17
Ted Leo and The Pharmacists, Matt and Kim, and The Pains of Being Pure at Heart are headlining this year, but the real draw of Siren isn’t the music. Spend a delirious day in the sun wandering the boardwalk, eating hot dogs, and playing shoot the freak, then run into the water when night falls.

Antibalas Afrobeat Orchestra in Battery Park, Thursday July 22
You’ll need to get down to Castle Clinton early for a chance to see this joyous, energetic Brooklyn troupe toast the music of afrobeat legend Fela Kuti. Make a day of it; nothing beats those views of New York Harbor.

The Swell Season in Prospect Park, Friday July 30
If you saw Once, you’ve already fallen in love with Glen Hansard and Marketa Irglova. They’ll be playing humble, heartfelt pop at sunset; take someone you really like.

Sharon Jones in Prospect Park, Saturday August 7
Everyone’s favorite modern soul act rocks the bandstand. Go for her sweet and brassy voice, stay for her peerless horn section, the Dap Kings.

The xx in Central Park, Sunday August 8
Their debut was one of my favorite discoveries this year. Find out how their confident, spare intensity translates to the stage.

Public Enemy in Central Park, Sunday August 15
Summerstage is all about seminal hip hop this season, with free shows from Big Daddy Kane, Funkmaster Flex, DJ Cool Herc, Brand Nubian, and Pharoahe Monch. Capping the year is Public Enemy, marking the 20th anniversary of Fear of a Black Planet.

Follow the links for details, or find all these shows on TJN’s public calendar. May you have a story-worthy summer.

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Summer in the City

Once again it’s time for sun and sweat and outdoor concerts. SummerStage has released their full 2010 lineup: their site is still in limbo, but BrooklynVegan has a great roundup of the highlights. The Flaming Lips, The Black Keys, Hercules & Love Affair and Pavement are playing benefit shows (meaning you have to pay); Jimi Cliff, The xx, Dan Deacon and Public Enemy will be free.

Celebrate Brooklyn and River to River also have summer schedules online. Don’t forget to use the “New York” section of those links on the right to navigate NYC on the cheap this season. Bookmark FreeNYC, Celebrate Brooklyn, River to River, and the “free” page on OhMyRockness, or just go ahead and make TJN your homepage.

Speaking of things free and awesome, the next How I Learned is May 26. I’ll see you there. It’s going to be a great summer.

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Jonsi at Terminal 5

Intimate live music sells itself, but why go to a big, impersonal concert? Any song you want is availably instantly, eternal, reproducible, and free or just about. Every large event is bootlegged an hour after it ends. Audiences, only partially present, thumb status updates or snap profile pictures or film for that night’s YouTube upload. No one dances.

Jonsi, performing solo after years with the oddball Icelandic pop outfit Sigur Ros, played Terminal 5 Sunday night, and the show he put on loudly defended ambitious live music. The big space with its three floors was filled with cinematic sound and soaring visuals. An elaborate stage, enormous video screens, and the expansive, ecstatic music itself earned its huge audience. The joy in those moments could not have been captured or reproduced.

Some of how Sigur Ros carry themselves – giving cryptic interviews, singing in a made-up language, and broadcasting a certain aloof self-regard – always turned me off. Indulgent and sometimes nearly ambient, their stuff can make for trying pop music, but it’s always great for studying or doing yoga. More importantly, repeat listens reveal great care and talent, and a sincerity so rare and precious you can’t help but be impressed. Listening to Staralfur, the 1999 track that made them famous, it’s hard to imagine modern music being any less cynical.

Jonsi now works closer to the surface, even singing in English, but he’s continued and actually amplified that childlike innocence. The pretty, looping melodies ride manic, joyous drums, rhythms that took center stage at the concert. Each surge of sound worked like a direct injection of endorphins. You feel this music square in your chest.

The video displays made the night, harmonizing with the band like another instrument. It snowed, thundered, poured rain and flooded on stage. Colors seeped and spread and exploded, images ran and tripped and fell apart. We were treated to virtuoso collages of animation, film, and effects, each as complex as the songs themselves. The panes of the backdrop managed to dance like a keyboard, tear like a canvas, and grow like a garden without ever moving an inch.

Music videos usually tell distracting stories, stage pyrotechnics, or show off a musician’s pretty face, completely missing the potential to compliment and expand the impact of music directly. Successful modern concerts, however, deliver carefully orchestrated, multi-sensory experiences. Done well, it’s very much worth the ticket.

“All 3000+ attendees were in the palms of his hands,” wrote The Music Slut after the show. “I’ve never witnessed a more respectful crowd at the massive Hell’s Kitchen space.” Powerful theatre will do that, focus thousands of eyes at once, and it’s a blessing to be a part of it. Leave your little screens at home, and remember: even if no one else is dancing, you can always be the first.

Jonsi’s new album, Go, is available (and streaming in full) here. He isn’t performing in the US any time soon, but watch his site for updates.

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Update on Ground Zero

I wrote a massive email today to a friend in India, catching her up on about a year’s worth of news. I was tapping it out on an iPod touch while doing errands all around town (Russ & Daughters was all out of the super special matzoh), and at one point I walked past the World Trade Center site. I work nearby, but I haven’t actually seen it in a long time.

One World Trade Center has been going up for a while, but it’s massive now! Wow. It must be fifteen, twenty stories tall already, towering over what is now a field of white cranes. They look like a herd of bleached sauropod spines. Bridges that used to look down into the pit are now dwarfed by the red girders; “Yankees #1!” is scrawled across the thickest horizontal.

I share this because after writing for six hours, you want something to show for it, something that can be shared with more than one person. Curse you, intimate details, sprinkled indiscriminately throughout this masterpiece of heartfelt correspondence!

Also: have you seen that building recently? I know it’s been a long time coming, but still. We don’t have a gaping hole in the ground anymore. Quite a feeling.

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Whitman on The High Line

I went wandering Sunday and found myself on the High Line. Watching the sun setting over Jersey, gawking at all the west side’s new diva architecture, and lighting up with the Empire State building, I felt very happy, very, very lucky.

I wrote a paper on High Line Park freshman year of college, when it was just a whimsical proposal (as I now brag to anyone who will listen). For all its expense and vanity, when the park opened I immediately fell in love. Walking it—an abandoned elevated freight railway reimagined by the wealthy and fashionable as a stroll through the skyline— you feel kissed by history, the river, the generous city.

Down on 14th, afterwards, I found Whitman quoted at length in a chic shop window. I stood and read from the huge glowing display:

PASSING stranger! you do not know how longingly I look upon you,
You must be he I was seeking, or she I was seeking, (it comes to me, as of a dream,)
I have somewhere surely lived a life of joy with you,
All is recall’d as we flit by each other, fluid, affectionate, chaste, matured,
You grew up with me, were a boy with me, or a girl with me,
I ate with you, and slept with you—your body has become not yours only, nor left my body mine only,
You give me the pleasure of your eyes, face, flesh, as we pass—you take of my beard, breast, hands, in return,
I am not to speak to you—I am to think of you when I sit alone, or wake at night alone,
I am to wait—I do not doubt I am to meet you again,
I am to see to it that I do not lose you.

Some days the world overwhelms you. Sometimes, despite everything, you feel solid, clear and calm. I am to see to it that I do not lose you.

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Filed under beauty, history, new york city, writing

Scrap Relation at The Stone

Some paintings are about the brushes and cloth, emotions and accidents that created them much more than the supposed subject. Scrap Relation makes music like that, about itself, about its own creation, its own beauty and dissonance: this humming, stuttering moment of live sound.

The Stone, a perfect dark corner of the Lower East Side, was filled tonight with a sea of seated bodes and the flash of the brass on the head of the upright bass. At times that bass and the drums melted into one instrument. The sax and guitar asked and answered each other’s questions. I tuned my attention from one instrument to the four voices splashing together in delicate conversation. Then to the room, the audience, and once, when a siren briefly joined the music, to the world outside. All the way back in then, the musicians’ faces, wild fingers flying.

I don’t know enough to place this complicated sound into a larger story about music, as I do, chapter and verse, genre and decade, with pop music. To call it timeless feels cheap, and not accurate, anyway. Instead, I will say that it hung in the present, in that blade of time where it was created. There, then, it filled the air around us, beautifully.

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Imagine That

I remember the thrill each time we played, the excitement of it. I was nervous that we make it as good as the last time. I also remember my dad teaching me to skip rocks, and the pride in his voice, the joy he took at sharing this whimsical but precise skill. These were times to be cherished; tangible evidence of something incredibly flattering, that my parents seemed to not only love me in some abstract way, but actively enjoy spending time with me. At the time, theirs were the only opinions that mattered, and the pleasure I saw on their faces just filled me up. I needed nothing else.

My mom and I would chose our table for its view of the others. I don’t remember ordering food, but maybe I nibbled at some overpriced pastry or she sipped at a coffee as we spoke. We would – at least, I remember that I would – take pains to not turn in obvious ways, to not give away where we were looking. Our conversation wouldn’t be whispered, just politely quiet, easily lost in the wash of sound any public place provides.

It was a team sport. She’d pick someone, pluck him out of his anonymity, and the first thing to do was take several moments to simply sit, watching, waiting for inspiration. We would glance, not stare. There – the balding man in the yellow shirt, with the large bag, here on the left – see who I’m talking about? This was our canvas. It was best not to force it. Take him in without looking for something specific. Let it happen on its own.

Then we started telling the story. We were kind and knowing. Anyone could see his dour silence, the uneasy eyes, the nervous way he stirred his cold coffee. We knew, we understood like no one else, the circumstances hidden just outside of the frame. Do you think he’s waiting for his sister? We sketched roughly at first, thinking out loud, shooting each other down. No, no, he’s clearly been stood up. Look at the way he’s slouching. But some stories aren’t worth telling, are cheap or too obvious. We preferred unlikely and devilishly specific to probable, prudent and boringly vague.

The meat of our story came from one person. After the rough drafts one of us would realize that we had it – that perfect mixture of plausibility and bold fiction – and it told itself. Like the real story would be, were we to ever learn it, ours was unexpected in interesting and believable ways. Like the real story, it was detailed and unique. This man knows very little English, my mom would begin. (She always knew how to hook you. Also, she liked her stories to involve foreigners.) Guri. From Albania. He is in this country because his brother promised to get him a job, but it hasn’t worked out yet, he’s been strung along and he’s beginning to doubt his decision to come here at all. His brother told him to get out of the apartment and enjoy the city’s museums, so he came here, but he hasn’t been able to enjoy any of the art and he can’t get his mind off home.

What we had at this point could be called a foundation, but functioned more like a slip ‘n’ slide: the rest of the story poured out, flowing from the character we’d created. We talked over each other. The detail one of us created immediately showed up in an angle the other had planned. This courtyard reminds him of a place he used to love to go, back home – to go with a woman! He’s thinking of her – he’s missing her, that’s why he regrets coming here – he used to share coffee with her, and it’s too sad to drink it on his own – he’s looking at the other couples here and feeling how lonely – the coffee is no good compared with what he drank in his country. Ahuh. Yeah. Pause. The coffee was disappointing, and it reminded him of a time he went out for coffee with this woman he loves back where he could understand the language, where he felt at home. My mom would smile, and I would smile, and I would be so proud, and feel so happy.

Ah! She would say, when I filled in a crucial piece of the puzzle. I would encourage her most inspired moments: yeah. Yeah. We would sit quietly again, armed with secret knowledge. It was maudlin, it had pathos, it involved foreigners. Watching this man now, we would see Guri, the Albanian lonely heart. It was like a movie we had written coming to life. A moment would pass at it’s own pace. Then: what do you think is in the bag?

My mom started the game. I don’t remember the first time, how she brought it up. I don’t remember it needing an explanation; it was self-evidently an awesome way to pass an afternoon. Was this something she had done with friends, curious college buddies in love with New York City, turned on by the endless possibilities embodied in the countless strangers they passed every day? We always played in the courtyard at the Museum of Modern Art, so for me the excitement of being in the city combined with the excitement of Important Culture, and of being alone with my mom, and of creating something. Where did she play with her friends? Why there? Or was the game silent and internal until I came along, one of those well practiced but wholly private exercises, like the imaginary interviews I give to Terri Gross? Do you get to say out loud to your kid the things you’ve kept from fellow adults?

I picture my mom, young, no children, no husband, a crowd surrounding her on the subway platform. There are no iPods and no earbuds. People’s chosen distractions each reveal something about them: The Wall Street Journal instead of the Times, a romance novel mainstay instead of the latest literary star. Say my mom was without anything that day. She’s bored, and hot, the station air stiff and still. She notices that the man next to her is reading the Post, the editorial page, and the fragment of the headline she can make out suggests that there’s a good chance this is not a man she would agree with about almost anything. He reminds her of someone she knew once, but it’s hard to pin down. She notices his watch, which has a few visible scratches and a very worn leather band, and then his shoes. Without meaning to, she’s staring at the cuff of his pants, which has been folded over at one point. She knows the way her father dresses, the way his closet smells, the way he hangs his suspenders. She imagines this man’s closet must look different. Maybe he lives alone, and gets dressed half asleep, resenting the new day, thinking only of the first cup of coffee. She checks his face, around his eyes. He doesn’t look poorly rested at all, just very patient, very calm. Erase erase erase. Start again.

There’s no clear line between observation and speculation, just as there’s no clear line dividing a mental habit from a formalized activity. The rules write themselves. Passing people on the sidewalk, sitting in restaurants, noticing the couple, not particularly agitated but not particularly happy, over by the bar – the stories my mom comes up with get more intricate, more courageous. They are funny. They are terribly tragic. The only clear line is the one she crosses when she shares the game with me. It’s the first time she’s told any of the stories out loud.

As with all our stories, this is most likely not true, not even a little. As with all our stories, that doesn’t matter. Not even a little. The act of writing false biographies for our fellow MOMA patrons helped us remember how much is unseen, unexpected, how much is unknowable about the people around us. It also let us have fun at others’ expense. It was an act of willful creation, wholly ours, and our pleasure was as much in the invention as in the observation and pseudo-scientific deduction. If it made for a better story we’d happily suspension our disbelief.

As with all our stories, the way I imagine my mom coming to this storytelling is about me more than any external reality. The subway curiosity is my own. The concealment of daily mental rituals is my own. The dramatic, energetic inner voice, the rapt inner audience, even the memories of a watch scratch and a closet smell are mine. My mom taught me how to write fiction. How to love writing fiction.

The curiosity, the attentive observation, the awe and the gratitude may all have found their way into me some way or another. New York City seems to leave me no other choice. But fiction is different. For that, I have to thank my mom, and those balmy afternoons we spent surrounded by boring, inscrutable sculpture and blank, intriguing human canvases.

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Hot Toxic Love

Watched the off broadway adaptation of The Toxic Avenger tonight, had a blast. The sound engineer especially was doing a great job. I’m not sure where they found him, but he was absolutely spot on, and I have no doubt that he will go far.

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Speaking Of Not Being Alone…

Apparently, if you start paying attention to that constant crazy, fearful, judgmental, and unintentionally hilarious voice in your head, and come to believe it is okay or even desirable to write down these thoughts, overnight it becomes impossible to stop. I haven’t posted in two days and already I have amassed many thousand manic typed words in a desperate attempt to record this running commentary I didn’t know I contained, which is now self-important and vain with all the attention being paid to it. Incredibly, this makes it even less likable. I feel like the woman who innocently opens the comically overfull closet and is buried in a mountain of junk for her trouble. In addition to deciding to take dictation for the voices of my neuroses, I have commissioned several ambitious essays from myself, and extended my running list of the many things I should but have yet to write about, and in this way I have convinced myself that complete forfeiture of my waking hours to my writing habit is imminent and I may have to give up a few of the hours reserved for sleeping, too.

I took time out of being a crazy person this evening to attend How I Learned, which monthly invites several people to perform personal essays in a bar on the Lower East Side. It was absolutely wonderful and I highly recommend you attend next month’s show, that is, if you are in fact a real person living in the greater metropolitan area and not one of the imaginary readers of this blog who is constantly being bored by and unimpressed with my writing and telling me so in unnecessarily mean ways. I’ll write something about the event and link to the contributors’ individual websites sometime when I don’t need sleep so urgently. For now I’ll say only this: I spoke with one of the men who read tonight, and when I asked if he writes full time these days, he told me that he does, and is primarily working as a writer of The Hardy Boys books. Did you know they still write The Hardy Boys books? I did not. Now, not only do I know this fact, but I have met the guy writing them. He also writes for Nancy Drew when they do crossover stories.

It’s the little things, you know?

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On The Street, Pt. 1

In the short time I’ve actually lived in the city I have had the privilege to work in eight different neighborhoods. There are pages to write about each of them. I’ll start with Wall Street.

I do not work in finance. I make a meager hourly wage standing in a doorway, watching the financial district change. The asphalt in front of me is being ripped up and replaced with paving stones. Real estate brokers are steering dozens of curious young couples through the buildings to either side of me. Sometimes the young prospective tenants are chaperoned by parents, busy and nervous like they’re visiting colleges. These new condos were built as office buildings. The high end boutique I work in was a Starbucks not six months ago.

I have not been familiar with this neighborhood long, and have never done any substantive research into its recent history, so my sense of the street’s demographic and economic shifts is based on anecdotes, stories, and assumptions. What I can do is record the people I see walking past me over the course of a day.

The simplest story is that of the tourists. They flatter me. I charm them. They mistake me for a knowledgeable, native New Yorker, and I do my best to live up to their hopes, simultaneously aiming to convince them that this city is reasonably friendly after all. If you are walking slowly in a subway station hallway, especially if you are answering your phone at the top of the station stairs, you are unforgivable and I will glare at you with all the glare I can muster. If I am not doing anything, and you approach and ask politely for directions, I will forgive you your ignorance, and in fact be grateful for the opportunity to be appear magnanimous and expert.

The Americans I see I automatically assume are from “The Midwest,” wherever that is. I think for our purposes it includes every corner of the country outside of California, New England, Pennsylvania and Jersey. They seem easy to please. They drift, in family groups, leaning back to take pictures of the towers and the church. Everyone loves posing with the Tiffany & Co. sign, which features large golden letters at a height that allows the cheesy smile to be brought right alongside it with only a slightly ridiculous crouch. I’d guess that one out of every three groups that pass it feel compelled to snap the photo.

Our international visitors look to my untrained eye to be largely Germans, Scandinavians, and other broadly blond, odd yet attractive Northern and Central Europeans. We also get a generous sprinkling of Italians, French, Spaniards, and Canadians. The Asians, mostly Chinese and Japanese, are the most likely to be walking down the street with a camcorder recording uninterrupted, a practice that I find slightly less distasteful than boiling children alive. Some pose for still photographs of their companions every few feet without placing any identifiable landmarks, or indeed anything nice to look at, in the background.

They all ask for the bull. American, foreign, embarrassing and savvy, they all came to Wall Street to see the bull. The bull, dear readers, is not on Wall Street. This fact causes endless frustration. I am in charge of directing the travellers to he statue, east two blocks and down three, throwing in hand gestures, directional markers, and occasionally the Spanish word for “left,” izquierda, which I was delighted to discover I still remember from high school.

A diminutive Asian man, in a thick accent it took me a few attempts to decipher, once asked me directions to “the golden cow.” Another time a portly American gentleman (a Midwesterner, I believe), told me he was looking for the bull to punch it. It is strange to watch kids from a dozen countries hang on the horns, fondle the testicles, and generally lap up this oddest of symbols while the Street itself is in such disarray, actively cannibalizing the ancient office space for luxury apartments. Most tourists give no indication that they understand that Wall Street is no longer Wall Street. If they know, it doesn’t seem to affect their behavior. I point the way to the bull a half dozen times a day, closely followed by the stock exchange and the federal reserve. That one I had to look up. It’s an imposing stone building two or three blocks north of the Street, and since I’ve identified it, every time I pass I stare. There’s little hope I’ll learn anything about the confusion, fear, and hubris percolating within by watching the walls. Still. It seems now an ominous, quiet building. The cocky men in flashy suits who still, though their numbers are thinned, strut down Wall like hedonistic teenage Greek gods, would be preferable masters of the world. Their ugliness seems simple, honest, their behavior predictable and sure, compared to inscrutable bureaucrats and civil servants hiding just out of sight up William.

The young men of Wall Street are easy to spot. They are tall, with good posture, broad shoulders, and brute good looks. They wear their hair clipped close against their skull, and they wear their shirts open, no tie, their collars stiff and cut close and angling out instead of down the front of the shirt. Their biceps are large and their dogs are tiny. We see about five or six of them a day. Many of the visibly successful neighborhood regulars work in real estate, which has a more varied fashion palette. The guys in the mesh-back jackets with the branding numbers, who wander out of the stock exchange looking like fat horse jockeys, are mostly middle aged and exhausted looking. They are even fewer than the bright young pricks. The crowd is half tourist, a quarter residents.

Apparently the converted office space is not terribly expensive for Manhattan. Young people rent these apartments, often young adorable couples or absurdly attractive young women. I see the residents with dogs much more often than the rest, because they have a reason to pass by several times a day. Some look like students, most look like young professionals, all seem unconcerned by money, preoccupied by fashion and tiny dogs and whatever exactly it is that they do.

There’s another long essay to be written on what the young of my city is wearing these days. I won’t get into it here. Also awaiting the second installment: a description of the particular street personalities I’ve watched. There are a few so regular I’ve developed cute, judgemental monikers for them. Tune in next week… the adventures of Twitchy!

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Filed under economics, new york city

Notes on New York

With many thoughts daily demanding to be remembered, and not being in the habit of taking time to write them down in a serious way, I have gathered a pile of handwritten notes that sits on my desk, reminding me that should I ever decide to sit down and begin my new life as a writer, the task ahead of me will be impossibly huge. Instead, this pile suggests, I should aim for some other line of work, garbage collection, perhaps. I should search for that clerk position in charge of sorting, shuffling, and filing things that no one will ever ask for again. Your strengths, my unruly collection of ink and paper gingerly suggests, lie somewhere else. No offense.

Occasionally I transcribe the phrases scribbled on this paper into a computer file, which I’ve titled Notes on New York and situated at the dead center of my desktop, so that like my desk, my computer thoughtfully reminds me that productivity is not really my thing. Leave that to those ambitious types. Don’t be a fool. There is solitaire to be played. Terry Gross is interviewing Iggy Pop. Relax.

When I open this file I sometimes find mysterious little poems that have no remaining connection to what they were supposed to record. One day, apparently, I intended to write down some thoughts on food, and took this note: “eating, new fruits.” I’m intensely curious as to what fruits I was referring to, but the following line offers no help: “on being too loud.” I think the person being too loud was me. Why I didn’t go with a memory aid more direct or detailed I don’t know. And now you, dear reader, will never know.

Other notes are very clear, if a bit much. One day, presumably after watching the Discovery Channel for a little too long, I wrote this: “the wonders of mass production! holy fuck – toothbrushes! breaker boxes!” I understand your enthusiasm, former me. I really do. But what, beyond delight at the very existence of objects we all take for granted, do you want me to convey? Why toothbrushes? And, let’s be honest, is the profanity really necessary?

I’m not so worried about having misplaced a stunning insight on breaker boxes, but I know for a fact that I loose a lot. They are not the thoughts that I write down and later find less than impressive (“how charismatic, the hudson valley”) or those I don’t fully understand (“Subway. Benneton Ad. Utopia.”). They are the things that never make it even that far.

There are impressions, sensations, and experiences that absolutely fill me up, make me instantly ache for the ability to share my inner life with someone else. I go for a pen and can’t think of anything to say. I try to stay in the moment; tourists passing me with video cameras fixed on outstreached arms are a constant warning not to shortchange the present in service of its preservation. Inevitably when I get around to trying to put words to what happened to me, they’re of no use. The only ones I encounter anywhere in the vicinity describe motion, temperature, color, brightness, viscosity. I’m intensely dissatisfied with them. And without a detailed description of what was happening – every shade, every texture, every point of light – even the best words are impotent. Without knowing everything that happened that day, and the day prior, without precise familiarity of my mental landscape, the life I’ve lived up to this moment, my understandings of the shape of the universe and my place in it, my opinions on politics economics history and culture and the long story of how they came to be what they are – I’m sorry, it’s just a loosing battle.

It surprises me how often the sensations that are most central to the experience of being me, how many of the moments that move me the most, seem completely beyond the reach of writing, indeed of any communication medium. I wonder that the world seems so full of fascinating and worthwhile writing, storytelling, and reporting when this process seems so doomed to miss out on the meat of life. What we manage to stick words to and share, as wonderful as that output is, could this be in reality only a tiny fraction of what is, of the experiences we are? Is that wonderful or terrible?

I’m not sure what it is about the world that inspires this kind of conceptual vertigo. It could be the physical size, although I’m fairly certain I have absolutely no grasp of that, or the numbers of people, on which I can’t imagine I understand any better. It could be this unwise attempt at calculating the possible realationships between our billions of lives, each governed by a good hundred trillion cells, each made of so many atoms, and so on, that my brain keeps making. But there’s more to it than that, bigger things going on. I believe we can identify and describe historical and cultural currents and patterns, which are not well defined and understood things, but neither are they imagined. I believe there really exist, in some nearly intangible way, ideals and ideas and memes, those things that defy quantification but have real effects on the physical universe. In fact, I admit they seem to color all the stars in the sky.

Dizzying numbers feeding impossibly complex relationships within maddeningly inaccessible scales, that’s what this universe is, and it’s high time I admit that it’s not something I can ever hope to write down. I want to sing it, the beauty of what is, the body electric, the noosphere thilling with its existence. It seems unbearable that I cannot understand it, explain it, contain it, and pass it around like a jar of fireflies saying see? Do you see? This is what is. This, this is what is. Is it not beautiful.

I’ll make do with the moments I can capture. I’ll dutifully transcribe the impressions from my notes (“the sweat on my face, the breeze playing over my ear, the black marks on every sidewalk”). I’ll gather them up, toss aside the chaff, and weave the strong ones into something whole, something with a beginning and an end, and before you can blink something new will have come into being, a narrative, a story. It has been carefully assembled here, cultivated, culled and coaxed. Suddenly we are grinning, we are laughing, no longer troubled by our failure to describe the beauty of what is, because here is a new beauty, a thing all our own – a story, built of glottal attacks and serifs, nothing but photons and the firings of neurons, nothing but patterns in darkness. Which is really more than enough.

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Crown Heights: Roof Quest!

I promise that one day soon AJN will cease to be solely sporadic quips about my new life in the city. I will set aside time, one day a week at the very least, to ramble on and on about the kind of big and involved things it is quite possible only I am interested in. For now, blogging on my lunch break, this is what I’ve got:

The A train is truly magical. It can make Central Park disappear – close your eyes and sixty five blocks are gone. That said, schlepping from Marble Hill to Crown Heights late at night just to see Trading Places is not the kind of thing that at first glance seems worthwhile. The movie was being shown on a rooftop, so it had that going for it, but I didn’t know any of the people hosting, didn’t anticipate the movie being any good, and due an epic and unjust failure of my laundromat’s dryers, didn’t arrive until after the movie had begun, so there was none of that introductory making an ass of one’s self that cements friendships and could theoretically justify schlepping one’s sorry ass all the way to Brooklyn on a work night.

Turns out the setup (laptop, projector, neighboring building’s wall), the movie itself, the company I arrived with, the beer (Colt 45, because apparently that’s what you drink in Crown Heights), and that magical and quintessentially Brooklyn view of midtown shining over the rooftops all conspired to make the night perfectly awesome. Trading Places is an utterly silly movie, but it stars Eddie Murphy, circa 1983; it isn’t hard to figure out how to have a good time with it, which I proceeded to do, loudly and without apology. Somehow the movie’s charms were entirely lost on the dour hipsters who were screening it, but what can you do? That’s the lot of dour hipsters. It sounded like the other movies they screened this summer were the epitome of highbrow, and some unexamined recommendation had caused this oddball comedy to land in their midst. It was like Sir Mix-A-Lot had crashed an opera. (Doesn’t that sound like fun? This was too.) The end of the night was increasingly surreal. I wandered through an apartment in which everything was labeled with knowingly precious hand lettered signs (“booze” – “vinegar” – “refrigerator”) trying to figure out if the movie I had just watched had been compared to The African Queen as a joke or in an honest expression of disappointment. I think it was a little of both.

The delight of the day came on the train ride home, while transferring from the A to the 1 at 168th street. We took the elevator down into the cantilevered, yellow home of what’s apparently among the oldest lines in the city, and spent a good ten minutes just staring at the hand cut and laid tiles, the masonry on the ceiling indicating long lost chandeliers, the epic oldness and grandeur of it all. I peered down the track, which was well lit and didn’t curve. I watched MTA employees clean the platform section by section with high pressure water jets. I encountered a warning about rat poison. It was beautiful. Just before the train arrived, one of the cleaners in his neon orange vest started telling us about the station, prompted by nothing but our curious gaze and idle discussion about the wonder that is a quarter mile of hand tiled mosaic. He volunteered information as easily and directly as if we’d asked him a question, and he was simply, naturally, answering it.

It matters very little that he was very wrong about the age of the station. He claimed that what we were looking at was 200 years old; turns out, “New York City’s first official subway system opened in Manhattan on October 27, 1904. The Interborough Rapid Transit Company (IRT) operated the 9.1-mile long subway line that consisted of 28 stations from City Hall to 145th Street and Broadway. IRT service expanded to the Bronx in 1905, to Brooklyn in 1908, and to Queens in 1915. The Brooklyn Rapid Transit Company (BRT) began subway service between Brooklyn and Manhattan in 1915.” So our cavern was probably built in 1904 or 1905, and we were looking at over a hundred years of history, and that is awesome, and having unasked questions answered by bored MTA workers is awesome, and it doesn’t much matter that the answers and the history don’t match.

I’ll be keeping the beauty of the subway and what it can do in my memory today as I discard of my car. She’s served me well, for two years now, carrying me to Ithaca and Philladelphia and Saratoga Springs, to the Mountain Goats and Aesop Rock, to Bear Mountain, Harriman, Rye Playland, Coney Island. She’s given me no trouble at all. I’m sad to see her go.

At least I’ll still have Coney Island.

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Filed under beauty, history, memory, new york city

Delight of the Day

Today after work, I was talking with two coworkers, when in the course of our conversation one said she can not run on flat ground. When I asked what that meant, she said it’s because of a titanium rod in one of her legs. I immediately started grinning, and exclaimed, “Awesome! So you’re a cyborg! I’m a big fan of cyborgs! They are the future,” and then I gave her a high five. So that was pretty much the greatest thing ever: a high five for someone being a cyborg.

A related delight came to me later: we can’t tell who is a cyborg by looking at them. The future will be easier than anyone expects. It will be normal. Hell, this is the future. I work with a cyborg.

Afterward I walked west and discovered how easy the park is to walk across, and how beautiful a thing it is to walk across the park at midday. There’s no better vantage point to marvel at the blessings of our modern, cosmopolitan world. An observation: some people would do well to stop running so much.

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Head Over Heels

I wanted to be downtown today, this morning, and despite setting out at six with only the vaguest idea of what that would look like, I am now sitting on a park bench, connected to free “downtown alliance” wi-fi, looking out at New York Harbor. In front of me, from left to right: the Verrazano-Narrows Bridge, The Statue of Liberty, Ellis Island, some flashy new office buildings in Jersey City, Hoboken (so that’s that Hoboken looks like!), enormous yachts. The sky still has a band of pink along he horizon, although I took my time getting here and its after eight already; above the pink is whitish blue, above that, a ceiling of white clouds.

This morning started in the Bronx with the discovery that the train runs fuller in the early, early morning than midday. I can’t tell you exactly what made me so happy, running up the stairs, stepping onto the platform. I’m sure I can’t describe it all and do it justice, the orange bucket seats, the ads for technical colleges, This American Life’s most recent podcast (“The Devil In Me”) on my headphones. I was overjoyed to be sitting among my fellow New Yorkers, my fellow humans, getting to watch them enter and leave the car, studying their footwear, their coffee cups, their thinning hair. Sometimes you are handed a great heaping serving of wonder, of gratitude, of joy, something that lets you access precisely how spectacular the world always is. It’s like the spectacle of a sunset or one of those breathless, spent, blessed moments when you look down at the face of the person you love in awe – it’s just given, occasionally, you just recieve it. The 1 train clacked and screeched down the island, gathering more fellow travelers than it let go, until we reached the 50th street station, where nearly everyone up and left.

I stepped off just after that, at 42nd. I wanted to check the map, decide my next move. I saw an underground connection to the A, C, and E traced from my current location, what must be a long white hallway, and immediately skipped up the stairs to the exit, settling on traveling crosstown on foot, above ground. I emerged under one of the flashiest subway station signs in existence, surrounded by the frenzied and glorious celebration of light and garish glamor that is Times Square. I am happy to report that reports of its uselessness have been greatly exaggerated. There are moments when Times Square just works. When you need a private little moment of civilization jingoism. When you’re celebrating the ballsy energy of New York City, remembering it and falling head over heels in love for the first time. When you’re listening to the rousing finale of The Hold Steady’s latest album, grinning and shaking your head in gleeful disbelief at just how fucking incredible this all is. Us. New York. The glorious noise we make.

Hate to admit it, I really do, but I was turned around, and what was supposed to be a quick trot to the next subway ended up taking me past Bryant Park and Grand Central and I kid you not I was nearly to the United Nations when I started putting together that I was headed East. I spent the next five minutes working hard to teach my new orientation to my brain, picturing myself on the subway map, a briskly moving, blinking dot setting out in my true, new direction. So I passed Grand Central Station again, the New York Public Library again. This is New York’s Fashion Week, and Bryant Park is decked out in white tents. The beautiful and the semi-famous are hovering around midtown, attending parties, passing judgements, buying and selling status. I couldn’t help but be tickled and proud. 42nd street is a trip. If you open your eyes and look, there’s this amost unbearable concentration of human achievement, some of the world’s most charismatic displays of human productivity, frivolity, grace, and grandeur there.

There is a tugboat directly in front of my bench now, flanked by a tiny red coast guard vessel. They’re both flying the American flag; the tug is hanging a truly enormous, and seemingly backwards, flag from its raised crane. The sky has brightened, the air is warmer. The unfortunate blank and boringly utopian architecture of the financial center and Battery Park is done no favors by the light, but New Jersey looks impish and impatient, already aping greatness and hungry for more. They should really throw a subway line or two across the river – it’s a really long island, and Jersey’s got a lot of useful land potential minutes away.

Google Maps, through the magic of wireless internet, tells me I’m sitting next to North Cove, which I found by walking through the World Financial Center. I’ve never been here before, out on the towers’ landfill, which considering how cool the view is seems criminally negligent. It makes sense; its because the West Side Highway lies in the way, and only infrequently do I find myself in this neck of the woods at all. I visited the World Trade Center only once that I remember. We took an elevator, and must have looked out at the region (maybe not from the top?), but I don’t remember the view or the observation deck. Not well enough to say with certainty that I’m not making it up. What I do remember is the ground floor lobby, a multi story thing that showed off the ribs that defined the building. I do remember the bare courtyard space, from which one could see those ribs extending straight up and up and up. I remember being excited by it, and a litle distanced by it’s coldness, it’s size.

There, a second smaller tug has joined the first. Also yellow and black. Also flying a big stars and stripes from a crane.

After flipping the map of Manhattan in my head, after the embarrassing realization of exactly how close Times Square is to the A, C, and E if you travel in the correct direction, I descended again and waited for the E. You can tell from the subway map that anything headed south will take you close enough to the World Trade Center site to walk there in a minute or two, but I wanted to be on the train that actually terminated at a station labeled “World Trade Center,” a train with those words lit up in blue in the cars. It was on this subway ride that I saw a beautiful woman who inspired the thought, simple and happy: what a privilege to share a planet with you.

My makeshift ipod programming also reached a crescendo with the utilitarian trio of Daft Punk songs I keep with me at all times: “One More Time,” “Digital Love,” “Harder, Better, Faster, Stronger.” I turned to Daft Punk for the lyric “we’re gonna celebrate,” which I wanted to make my dedication for the day, but ended up most won over by “work it harder, makes us better, do it faster, makes us stronger, more than ever, hour after hour, work is never over.” Which, if you know the song, also becomes “our work is never over.” A fitting eulogy, I think. My dad long ago framed September 11th for me in terms of work. This is a city that each and every minute of the working day generates more value, more wealth, more useful, productive, creative, positive effort than the jealous jihadists have in the totality of their efforts. The work of this city, every minute of every day, shows the attack to have been a failure. I love being here, getting to bear witness to it. There is nothing like midtown at rush hour when you’re not rushing to work; nothing like the morning crowd of downtown brokers when you’ve got the time to just walk and watch; nothing like the adoration of tourists, and the sound of all the languages its expressed in, when you live here.

Speeding downtown, after 14th street, I leaned into the wall size subway map and resumed searching it. I’ll admit that I’m intoxicated by it, and study it every chance I get. I want to fasten each of the neighborhood names onto the map in my head and begin to remember the spatial relationships beween them. I want to discover, like hidden treasure, the nonobvious (underground) connections between the city’s many parts, the nearness of Long Island City to Midtown, the epic journey of the 2 train from Brooklyn College to the edge of Westchester, the L’s neat joining of the East Village and Williamsburg. I want to learn to place Bay Ridge (bulge on the southwest corner of Brooklyn / Verrazano-Narrows / Saurday Night Fever) on the map, detangle lower Manhattan’s ball of string subway lines and their respective far flung destinations, somehow discern what Rockaway people are talking about when they say “Rockaway” (I see a street, a neighborhood, and a few train stations with the name, none of which are in the same place). Nothing in my life is settled, as of today, but I just may be lucky and crazy enough to live in Marble Hill, work on the Upper East Side, intern in Fort Greene, go to school in Northern Manhattan, and try my hardest to meet people to talk and party with all over the city. There are not enough hours in a day to love my city, to learn it the way it should be learned. There are not enough years in a life. To travel these streets, to meet these people, to celebrate all the living that is done, here, is a task I cannot do justice to. I also can’t help but try.

10:28 and all the boats loitering before me on the river (I count 18 or 19) are blowing their horns. Exactly seven years since the North Tower collapsed. Loud as all hell. And now they’re all motoring away.

Ok, now six parachutists are falling out of the sky, towards Jersey. Four of them are dangling American flags. The flags look enormous.

10:34: Who knew he NYC police department had so many boats?

10:38: After lingering, the first, big tugboat finally sets off down river.

The sun is out in force now, beating down on my neck. It is September 11, I am siting downtown on a park bench, and I want to report that I witnessed men collecting garbage this morning, one block from the big empty lot where two towers used to be, executing an absurd many-point turn on one of those tiny, ancient streets. I wish to report that the goings on of the city’s baseball teams is being discussed on the streets of lower Manhattan. Construction workers are working, and buildings are being built. I saw families walking towards gathering sites, holding pictures of their lost loved ones, and television crews milling about, outnumbering everyone, incessantly shuffling the cameras and microphones around, searching for a shot, an interview, and a story. The police and fire departments were out in force, mostly looking bored and making everyday chatter, but every so often an older officer would be looking especially sharp, ceremonial, sad. Many, many Starbucks were open, serving coffee and pastries and sporting brand new signage displaying (to the dismay and annoyance of many customers, I can assure you) the calorie count of each product. Stopped by traffic cops on the side of the West Side Highway, I overheard an incredulous discussion between two police officers about he price of a cup of coffee and the difference between a Starbucks and a licensed Starbucks. “You mean it looked like a Starbucks?” “Yeah, it had the sign all in front, it looks like a Starbucks.” They had apparently charged him twenty-three cents more.

11:37: Germans seem to be overrepresented among the tourists taking pictures down here. Must be the strong Euro.

The site itself is rarely, and then only partially, visible from ground level. Today there was additional distance between a potential viewer and the present, flat World Trade Center, provided by a human wall of police gently cajoling the commuters to change their usual routes and accommodate the memorial service. The only change I noticed was the presence of two large hanging signs hanging from 7 World Trade visualizing Silverstein Properties’ finished product, which the banners seem to promise in 2012. I was also directed to a website.

Trinity Church is still there, as beautiful a thing as that is, the worn stone graves and the easy scale, the building visibly unconcerned about economizing on space and unfazed by the canyons surrounding it. The trains are running. Over two million people work in Manhattan, and I saw thousands of them this morning, face after beautifully distinct face in trains, on buses, and walking down the street. For a moment another subway car was running along next to mine, and then it slipped behind us, revealing in a row of little yellow windows tableaus of commuters that struck me as so wonderful, so beautiful, that I could almost picture it, the whole city humming, above and below ground the millions moving, the gears turning, the cash registers ringing. New York is home to two of the largest three central business districts in the country (Chicago’s is #2), and the experience of wandering around both with wide eyes in a single morning is one I highly recommend. I hope against hope I can do this again next year, collect a few thoughts and blog by the river to remember. The idea and the image of this city is powerful, no doubt, but in its details, in its indescribable and infinite minutiae, it’s beauty can move you to tears, and the only way to experience that is to get out in it, and look.

Oh, and the lights are going back up tonight.

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Filed under beauty, memory, new york city, terrorism