Category Archives: dreams

“Again I Saved Someone Today”

The bridge is four miles long. There are trains on the lower level, four lanes of traffic run above, and a sea of thousands of people walk it every day, crossing the Yangtzhe into Nanjing, a city of seven million. It’s estimated that one person jumps off every week. Mr. Chen Si has decided to try to stop them.

He’s often on his own, on foot or on a moped, scanning the crowds for signs of distress. He blogs about the experience. “This morning at 10:20 a.m. I saved a middle-aged woman on the east side of the bridge not 300 meters from the south end,” he wrote on January 16. “At the time I saved her, this woman had already put half her body over the bridge railing. Two bridge repairmen and I pulled her back.” Another morning, he slipped and cut his leg, and had to turn around. “Who knows what happened on the bridge that afternoon?” he wrote. “Beware heavy thoughts.”

Michael Paterniti recently visited with Mr. Chen for GQ; you can hear all about it on the latest episode of This American Life, and read translated selections from the blog here. In January of this year, Mr. Chen tallied up his efforts. “I have saved 174 people from committing suicide” since he began volunteering his time in 2003, he wrote. He’d spent 646 days on the bridge and counseled over 2,000 people.

We all fantasize about saving lives. We watch shows about doctors and firefighters, movies about superheroes and cops. We dream that our nervous, cloudy assessments of ourselves, of our productivity or creativity or virtue, could be cleanly overriden by that one act.

Of course, most of us don’t, because it takes a lot of work. What makes someone actually do it? What makes them show up day after day, year after year on a bridge far too long to be patrolled by one man? Surely the scales of virtue, in that selfish accounting, are already firmly in his favor.

Mr. Chen says he began patrolling after reading a newspaper article about bridge suicides, but of course thousands, maybe millions of others read that same story. There may be no explanation. On August 10, 2008, he wrote:

Saturday afternoon at 1:40 p.m., a young woman 300 meters from the south end of the bridge climbed onto the bridge railing. I immediately started my moped, but because I accelerated too quickly, the moped leaked oil and ignited. I had to run to her, but when I was 200 meters away she jumped into the Yangtze. He silhouette was visible in water at a spot 50 meters away, and I could still hear her yelling for help until a large wave obscured her from view!

The moped couldn’t be repaired, but Mr. Chen never thought of quitting. “Ah!” he wrote. “I’ll have to use my short legs!”

Leave a comment

Filed under dreams, storytelling

Happy Days for Hitler

Nicole Fox got to India last fall. Once she found an apartment and started her American India Foundation Public Service Corps placement at Y.R.G. Care, an AIDS research and outreach clinic, she signed up for a few extracirriculars. “Mondays and Fridays are my gym days, Tuesdays and Thursdays are my hip-hop/Bollywood dancing days… and Wednesdays are Tamil lessons,” she wrote to her stunned friends and family. After a quick stop in Hanoi for a World Health Organization conference on dengue, she returned to work, took trips all around the subcontinent, and found time for a little rockclimbing. That’s who Nicole is.

Hitler… well, let’s start right there. “English people are not liking my name, because of German Hitler long time ago,” he cheerfully explained to Nicole the day they met at a busy tea stand. “But people here are not knowing,” he reassured her, “so Hitler is okay in India.”

Fearless and forward, Hitler drives an autorickshaw, a kind of motorized taxi, around the streets of Chennai. In his effusive “smoker’s gargle,” he delivers pronouncements like, “All life good life. Happy days!” He has a unique gift for loving life, and passing on that appreciation. Everyone who gets on his auto leaves smiling.

A few chance encounters turned Nicole into a fast friend. Once, Hitler spotted her at the bus stop and pulled over. As they drove, “fast even by normally crazy rickshaw standards,” he filled her in on his sick wife, the school for handicapped children where he sometimes works, and his life philosophy, dodging streetlife and livestock the whole time. Numbers and invitations were exchanged. “I think God think very well of Hitler today, to see my friend again,” he said. “I very thankful for good luck and wonderful life. All good life always!”

You can read Hitler’s story at Happy Days for Hitler, where Nicole is chronicling his struggle to purchase his own auto; about $660 USD would change his life. His wife’s medical bills, the debts from renting the rickshaw, and a new baby on the way won’t make it easy, but Hitler is unflappable. He will write “Happy Day” across the front of his auto when he gets it, he says. “Because now is today, and today is happy.”

“If you can spare a few dollars, all of them go so far here,” Nicole writes. You can donate here. “No matter what else I do this year, I would be most proud if my last view at the airport was Hitler waving from his own auto.”

3 Comments

Filed under dreams, economics, storytelling

“We Are Searching For Haiti”

This week Studio 360, an arts and culture podcast, went to Brooklyn to profile Djarara. All fifteen members of the rara band lost someone in the earthquake. The musicians do a beautiful job explaining how and why they look to music and tradition in the aftermath of the disaster. “Haiti will get better,” one says. “We are searching for Haiti. For a better Haiti… But don’t worry. Haiti will be Haiti again.” Listen:

Courage in Creole

Explore Haitian aid donations here (J.P.Morgan Chase, 1 million; Czech Republic, 1.25 million; Gisele Bundchen, 1.5 million). The Red Cross was reporting on January 18th that around half of its donations, or seven million dollars, had come in by text.

Djarara in Prospect Park

Learn more about rara and Studio 360.

Leave a comment

Filed under beauty, dreams, memory, music, storytelling

8 Countries, 5 States

And the District of Columbia.

That’s the marriage equality tally today. The only jurisdictions currently marrying same-sex couples are: The Netherlands, Belgium, Spain, Canada, Norway, Sweden, South Africa, Portugal, New Hampshire, Iowa, Massachusetts, Vermont and Connecticut. And the District of Columbia.

The year the Supreme Court ruled that interracial marriage was a constitutionally protected right, only 20% of Americans condoned it. Today, fully 40% support gay marriage. The number is closer to 60% in those under thirty.

Perry v. Schwarzenegger, hoping to do for gay marriage in 2010 what Loving v. Virginia did for interracial marriage in 1967, is on its way to the Supreme Court. Margaret Talbot’s New Yorker story about their prospects is amazing.

In other news, Don’t Ask Don’t Tell seems to finally be on its way out. Congratulations, America! The total cost? 13,000 soldiers dismissed since 1993. But it’s not like we were fighting any wars at the time.

Leave a comment

Filed under dreams, history

Good Advice from Ira Glass

This was sent to me over the holidays, and made my month. The advice is priceless and perceptive, and I think almost everyone can relate: no one gets into game design because they want to make mediocre games, or takes up an instrument if they’re not in love with what music can do. Since it’s delivered by Ira Glass, who every week on This American Life reminds me how great radio can be, it felt like a special gift. Enjoy.

Remember: you’ve got to be a warrior. Best of luck to you all.

Leave a comment

Filed under dreams, radio, storytelling

This Joyful Noise

Wireless at last, my desk overflowing with scribbled notes on tiny scraps of paper, I’m setting out to make this pursuit work. Today all I’ve done is change colors again, though I’m still not happy with them, and add a snazzy picture, which I’m more happy with although I assume by the time this is all over it’ll be gone as well. No matter. I’m looking at websites that offer business cards and reading Apple’s instructions on listing a podcast in iTunes. I’m comparing myself to everyone else again and getting impatient with my findings. Some day soon I will own several magazines and a cable channel, and I’ll finance spinoff television programs featuring my favorite people, the ones I listened to and read for inspiration on my way to the top.

It will undoubtedly be a source of humor and some considerable embarassment years from now to reflect on the great efforts I made branding myself before I had actually produced anything of value. I will tell the story gracefully, fully aware of the absurdity of this period in my life. I’ll recount how late one night, dissatisfied with my progress towards my goal of becoming a world traveler, a well known and widely respected public intellectual, and a brilliant and acclaimed storyteller, I jumped into action and changed the name of my rarely updated web log from A Joyful Noise to This Joyful Noise!

Lest you scoff, this was not the extent of my activity this evening. Oh no. I also set up a gmail account (thisjoyfulnoise@gmail.com), and asked politely for someone named Sharon to give up the blogspot address she’s holding (thisjoyfulnoise.blogspot.com), and then gleefully explored what font I would choose I were to order hundreds of business cards bearing my new brand.

This Joyful Noise, unlike clunky old A Joyful Noise, sports a snappy subtitle, which I have very cleverly (if I do say so myslef) included on the reverse side of my imaginary business cards. My brand’s message – light, heat, sound – is simultaneously too precious to stand and too weighty to bear. If I do what I hope to and all goes very, very well, it will likely be a decade or more before I produce something that lives up to such a portentious and epic signature. Still, I have nothing better. It comes earnestly out of an attempt to explain what it is I want to do. Listening to Astronomy Cast, a weekly facts based journey through the cosmos, has me keenly aware of the unimaginable emptiness, darkness, quiet and cold of the vast majority of the universe. Doing yoga at Yoga To The People, a donation based studio in the East Village, has made me keenly aware of life’s incredible capacity for producing heat. Standing in my lake of sweat, watching the windows fog, my chest feels like a coal fueled furnace and my mind turns to the chemistry of energy storage and use in the human body, the wonder of willed work, and, always, the unfathomable context of our efforts. Vast distances, lengths of time, silences. I name the sources of heat in our universe, few and far between, all of them wondrous: nuclear reactions in our stars, gravity’s pressure inside our planet, and in our cells, bonds breaking, decisions being made, life out of lifelessness.

I say we’re a noisy, hot, curious and hard working species, never satisfied, never finished: a stunningly beautiful thing in a still and empty universe. My feelings on the subject of humans are precious and weighty, and I see no way around that. I won’t be transcribing all my dribbling wonder at the world here; those who have encountered one of my rants on this topic will tell you, I’m very enthusiastic but rarely coherent or disciplined enough to be interesting. The blog and the podcast will, however, take as their official subject humans, the human project, the human experience, if only to provide cover for absolutely any story I feel like reproducing. In that sense, I’m aiming at capturing a little of the light, heat and noise made by my fellow wise apes, and it’s such an innocent and gradiose intention that my cuteness feels appropriate.

It makes sense. I have, after all, never been a very cool person. I’m too excited, too earnest and too invested to be cool. I dance at parties. I think economists say more interesting things than any other kind of person. I try to write a blog. I declare this rebranding officially underway. May we soon have some content to fill the empty vessel of This Joyful Noise.

Leave a comment

Filed under beauty, biology, dreams, the site, yoga

Don’t Call It A Comeback

There’s a lovely tension between grandiose dreams and reality, the fearless imagination and its fruits on one side and the rich pleasures of patience, hard work, compromise, acceptance, gratitude and humility. Our creative impulses, and our wildest successes, seem to feed on unfettered ego, reckless risk taking, and a belief in the possibility of improbably things. Our actual productive work, on the other hand, seems to spring from an acceptance of things as they are and the discipline to work within those boundaries. Most of our media, skewered as it is towards the glamorous, the rapid, the dramatic, and the visual, celebrates the grandiose dreams over reality. We are shown over and over again fables of personal transformation and reinvention, but rarely see the process of incremental change described, and when we do, more often than not it is through a montage, a dishonest and absurd cinematic device designed to reconfigure real effort to fit the dimensions of fantasy.

From the Great Gatsby to Batman, radical transformation is equated with deception and loneliness, yet glamorized and admired. These myths, and warnings, hang over all the plans I make to break with the past and set out in new directions. On the first of the month I will attempt to combine a move to a new apartment with a new haircut, new relationship status, new job, new career goal, and new educational status (and new frequency of blog posting), hoping that it all adds up and jump starts a new chapter in my life. I don’t want to scold myself for dreaming, for hoping, for styling myself after the great stories I’ve heard. After all, resisting the appeal of our myth of starting over could well lead to the opposite outcome, that of an awful stasis and complacency. I do need to put in some effort to remain grounded in real work, though. My synapses have been trained by the computers and movie screens and fast food joints in my life to expect instant gratification, and seek it. It’s a rather banal observation, I know, but this illusory high just doesn’t cut it. Especially not when it comes to personal transformation.

I’m afraid of stepping into the future, into uncertainty. I’m afraid of setting myself up for real failures by going after things I really want. I’m afraid of collecting things – education credentials, work experience, wealth, social networks – for fear of losing them, letting them down, not doing them justice. This has made me think about the non-attachment preached by many philosophies, the claim that it is desirable to avoid attachment to material things and worldly outcomes because you then remain free of them, free of their power over you. You certainly avoid the fear of loss that comes with attachment. Part of me is quick to chose attachment and fear over freedom any day. It seems noble to invest in the world and suffer the consequences of being intertwined with it, i.e. not being in complete control of your destiny, not being insulated from the heartbreaks and disappointments of the world.

I’m still wondering, though. There’s something about a fearless resignation to your own powerlessness over final results that enables, rather than preempts, engagement with the world. I know in my own experience that fear has been more of a barrier to work and progress than a result of it. I want to accumulate attachments, I want to found relationships that I’m scared of losing, break ground I’d be mortified to retreat from. I want to courageously throw in my lot with others, like the economy that becomes interdependent with others through trade. I want to see attachment as a good thing, like the fear of mutual harm that drives countries into ever closer cooperation, and the collection of wealth as positive, like the expanded opportunities for choice and joy in a rich civilization compared with a poor one. This makes sense to me. Yet there is also this indirect, unclear disagreement within me.

I can’t predict how this will play out as I (if I) establish a more settled, wealthier life for myself. I imagine there will always be a balancing act between investing in and engaging with the world, and remaining unafraid of the potentially painful consequences of that interaction. Maybe there is some hidden synthesis between the two that I have yet to access. What is clear, today, is that attachment to hypothetical, future assets is nothing at all but a drag and a heavy cost, and my a priori fear of attaining these things in the first place can safely be jettisoned without endangering any engagement with the world. In fact, fearless non-attachment seems a necessary precondition to it.

Leave a comment

Filed under dreams, film, superheroes

I’d Rather Live It

Thoughts on returning to Rockland after Ace Rizzle, Ace Rickety-Rock, rocked McCarren:

One. Contra sets always end with waltzes. I want to end my DJ set with a waltz. Why not? I want to remix “The Lover’s Waltz,” concoct a hip hop beat in three/four, put some Aphex Twin twitches behind the second and third beats. That way, after the fantastic, orgasmic, earth shaking climax (meaning, I’ll probably get lazy and throw on Daft Punk), everyone will partner up and wind down.

Two. Contra vs. Daft Punk. Social dancing, complete with instructions, vs. that glorious and awkward individual performance dancing. When you hear Daft Punk, everyone stop where you are and rock out, alone. When you hear the Clayfoot Strutters, do-si-do with your partner back into a twirl, re-form those lines, and await further instructions. Throw that shit together – eight bars French house, eight bars American line dancing. Then mix it up, get Girl Talk on the crowd’s collective ass, and just laugh when they don’t know what to do. Make sure everyone has a good time.

Three. Uh, recorded contra is hella disappointing. At least, preliminary investigations (lasting all of a minute and a half) were hella disappointing. But maybe we use this to our advantage. We get real live contra musicians, and real live hip hop musicians (call up the drum and bass guys from Tribe Called Quest – what are they doing these days?), a real live caller, a real live M.C., and put a DJ in charge of the whole evening. Hipsters look like fools learning to contra but admit they love it, forget trying to impress people and actually enjoy themselves. Old folks get down with they bad self when the Big Pimpin’ beat shows up underneath some lovely Appalachian harmonies, grind all night with someone they barely know, get drunk and pair up. The world is forced to recognize me for the genius I am. I impress the coolest people on the planet. Diplo DJs my wedding, The Go! Team plays at my son’s sixth birthday party, The Talking Heads re-unite just to play “This Must Be The Place” at my 25th anniversary party, and I die a happy, happy man.

Four. I wish I had a party to promote, just so when I’m at these things, these sprawling festival type things where ten, maybe fifteen people in the crowd have the balls and the moves to actually dance when no one else does, and they’re scattered throughout the place, and they start and stop and never quite sync up, I could approach these people – just them, not the friends that stand around smiling at them or the significant others that mooch off their awesomeness, just them – and invite them. I wish I had a club, a scene, an empire, so that I could have an agent at each musical event in the tristate area every night, and they would approach just those three, or those five, or that one individual who knows how to have an uninhibited good time, and say, hey, you, I don’t like your boyfriend. Your friends don’t dance and if they don’t dance well, they’re no friends of mine. We have a party for you. Come meet David, great guy, if you marry him you get Diplo at your wedding so, I mean, come on. Suriously.

Five. “America’s Most Blunted” is going on that mix of music to get high to. Why didn’t I think of that before.

Six. A dream is something you want to do but still haven’t pursued. You can dream a little dream or you can live a little dream. I’d rather live it, ’cause dreamers always chase but never get it. Work it harder, make it better, our work is never over. I will get trained as a yoga teacher and gather all the tools and knowledge I can about production and DJing. I will ask strangers to dance salsa and I will get good. Contra vs. Daft Punk. The future, now. A Universal History with a Cosmopolitan Purpose. A Joyful Noise. I will tell our story, our asymptotically approaching God, and someone, one person, will get it, will get me, and we will be excited together, about our children daydreaming on the shores of Mars, our grandchildren making love in the outer solar system, our great-grandchildren and their love, their gratitude, their forgiveness. I will dance with this person. Our love will create new life.

Seven. Here I am, dreaming again. I’m much more practiced in that department. We’ll work on that. I’d rather live it. I should put that on my wall.

Eight. I can’t believe it has been a full two years – two years! – since I wrote this. So. Every song is a comeback. Every moment’s a little bit later. The great thing? The glass half full thing? I fucking wrote that. I fucking wrote that. That was me, baby.

Nine. Still is.

Leave a comment

Filed under dreams, music, wild speculation

Big City Of Dreams

New York, despite its dependable insistent energy, is a shockingly malleable emotional experience. Being there will feel like what you bring to it: frustrating or liberating, exciting or scary, resplendent or drab. There’s something magical that can be felt there, something in between that slowly built intimacy that rewards becoming familiar with a place and those flashes of awe and beauty and wonder that you find traveling somewhere new. Because its streets and interiors and the infinite possible paths through them feel so radically different through different moods and times of day and seasons and periods in your life, it can feel like travel, keeping your eyes open wandering through this city. Because the physical landscape changes only slowly, and because that bedrock of material sameness can always be found beneath the set changes, lighting changes, and shifts in narrative frame, one can build a love of place here as well, that grounding and comforting knowing that is denied to those always on the move.

I remember driving very slowly down the island on the west side of the park, the air cool and warm, sweet, the windows open, and the achingly familiar phrases of Kind of Blue miraculously filling the air around me. I remember my thoughts lightly touching all those hours and months of searching or just wishing for a recorded song that would fit life like a glove, of being without that thrill of connection between events and the surrounding air’s vibration, the certainty that there was some perfect song just out of reach eating at me. I remember turning my attention back to my perfect moment, gliding downtown street light after street light, the moodiness of trees to my left, the accomplishment of stone walls to my right, and its serendipitous soundtrack, and being grateful.

I remember an immense gratitude for eye contact, for honesty, for understanding and companionship, for important conversation conducted without a burdensome seriousness born of its importance, looking out over a sweet potato and seitan loaf through a large window onto a honey colored night. I remember wondering what the lone diner at the table less than a foot to my left was making of all that was passing between us.

I remember walking on winding trails through Fort Tryon park in the twilight, filled with the ecstasy of having far removed myself from Nyack and all familiar spaces in mere minutes, Subaru be praised. I remember a quietness inside me, curiosity replacing fear when my thoughts turned to the future. I remember looking out over the shining river, which reflects the stars, and making an unspecific but firm mental plan to watch the sun set from that vantage point.

I remember the weight on my chest, the claustrophobia of the dark city, the loneliness of buses, the inadequacy of backpacks, as I arrived time after time from DC, my trips marking off blocks of time I was appalled to see slip by, each less satisfying than the last, each more anxious about the next, more apologetic, regretful, angry, lost. I remember the shock of skyscrapers, as I, wandering innocently out of a classical, harmonious, sunlit and most of all low city to the south found myself accosted by Fritz Lang’s palatial industrial nightmares, in the depths of Ridley Scott’s debased and cramped future, the sodium vapor streetlights pooling at the feet of glass, steel, and stone edifices of a vaguely sinister bent. I remember an undeniable dizzy thrill every time, craning my neck to try to take in these buildings and their bewildering height, every time, and surprise, every time, that my brain never learned to take this transition in stride. I remember arriving at that bare hour, when the industrial, mechanical processes that keep the city alive are all there is to see, like the respiratory system taking center stage in the otherwise inert sleeping body. I remember the Port Authority as a banal labyrinth and the eventual greeting or goodbye as all averted eyes and mixed feelings.

I remember looking out towards the Port Authority, like a scale model mothballed since a previous franchise installment (still lying in a pool of yellow light), and towards Times Square, and out over the river, and around the deck that held us, sitting on a roof in the west forties, eager and impatient, exhausted and hyper focused. I remember the words “cast iron” rolling through my head for a hour, running my hands over the deck furniture as I soaked up the night, overstaying my welcome.

I remember my certainty that after college, the way my life would be shaped, I would end up in New York, and that there I would be awesome, and my days would be full of indications of my youth, my awesomeness, and the perfection, the specialness, of my location. I remember how different the prospect of moving to the city felt before and after there was a legitimate possibility that I could live with friendly, connected young people I knew. I remember the gawky flutter of a moment that was me saying yes, and the dinner party a week later, which thanks to meticulous and loving post-production by my brain is etched in my memory as a cinematic affair, an elegant collection of colors, temperatures, the right notes played just so: bottles of beer, the fire escape, waltzing on the roof, potted plants in opened windows, courtyards viewed from above, conversations joined and lost, threads of the evening dissipating or paying off, the sky’s after sunset purples.

To be really honest, although I know no one was quite on the same page as me emotionally, this beer wine and lasagna shindig felt like what I imagine prom might feel like. There were all these tokens of adulthood, of independence: the bottles of beer, the swapping of small talk and life plans, the undirected migration of everyone to the roof and the feelings of freedom and possibility that the open sky above us evoked. I was uncertain as to whether I could take these things at face value, unsure if they could actually be happening, in my life, to me. I was unable to decide, or discern, whether I was witnessing transformation, adulthood, agency and independence, or whether I was going through the elaborate motions, playacting, dressing up in a tux and using my imagination years, decades away from being ready for the real deal, the wedding, the awesome life in the awesome city I thought was my destiny.

Something about a moment when one of the partygoers was half out of the window, on the fire escape, drink in hand, made me marvel at what a picturesque scene I’d wandered into, this fantasy of young adult life, this Friends episode. The evening ended with a whiff of prom night’s inevitable disappointment with reality, and my subsequent tenure as a resident of the Bronx will and can not be scripted, lit, and edited so lovingly as those few hours were. Still: I will be moving to New York, New York, big city of dreams, living among that dependable, insistent energy, making of it what I will, traveling by staying still. I’m looking forward to it.

1 Comment

Filed under beauty, dreams, memory, new york city